Friday, November 28, 2008

November 2008 Front Page


this issue




accepted poetry and short prose submissions for this issue
... page 3


Reviews

John Yamrus reviews 'Blind Whiskey & The Straight Razor Blues' by Todd Moore
... page 4




new and upcoming releases


Notes of a Digital Ghost



by Don Schaeffer
Winnipeg, Canada

So I am a digital ghost. I have converted. A percentage of me has retreated completely from the world of physical things and invested in a dark world of words and shared souls. ... see October 2008 page 3

"Where the contemporary poet is concerned, Don Schaeffer is probably one the most complete packages available to the canadian poetry community, offering a unique blend of the artist and the poet, dabbling in texture-rich dimsensions that are compact and easy to read while not lacking in emotion or accessibility. His poster work, a combination of visuals and text is as exceptional, eliciting a warm connection with the human element through the use of color and distortion. Don's work is derived from real experience, earmarked by it's simplistic delivery, revered for it's precision and consistent voice. These characteristics have not been compromised in the production of 'Notes of a Digital Ghost'."--Bernard Alain

Scheduled for release with Publish America.



New and Selected Poems



by John Yamrus
United States


A 23 year retrospective look at the poetry of John Yamrus who has been writing since 1970.

“Two major qualities prevail in his recent work: economy and punch. No word is unnecessary or out of place; the timing is impeccable; and, most difficult of all, the endings hit just the right balance of summation, revelation, and surprise.” Gerald Locklin

“Yamrus gambles with an all or nothing gesture to make the poem and the language his own. It dances right at the edge where all great poetry dances.” Todd Moore

ISBN: 978-1-929878-00-0
Pages: 138 US
Price: $15 + $3 S&H (US & CAN) = $18 (from Lummox Press)
WORLD Price: $15 + $10 = $25
(from Lummox Press)
Publishing Date: November 2008

To obtain a copy of this featured release by John Yamrus please use the following links:

for a signed copy, order from www.lummoxpress.com - $18 (PPD)
Also available at www.createspace.com and www.amazon.com
















in the spotlight




Ira Lightman
U.K.


Ira Lightman wanted to be a vicar. He is a poet who makes Public Art, mainly in the North East of England, where he lives. His pieces include The Spennymoor Letters (photo on right), ten 2-metre high poems made to look like the letters S, P, E, N, N, Y etc, the Gatesheads (photo on right) and the Blythscopes, coloured text in head and binocular shapes, Glade (a river of text) and the Family Tree Forest. He appears regularly on Radio 3’s The Verb, writing Pi mnenomics, Miltonic verse while blindfolded, and a poem entirely out of words containing a double l, as a collaboration with Peter Finch. He likes to make formal innovations for special occasions.


selected poem


The moon chirps

The moon chirps
over a cottage I borrow
high as the heating
the tenant never began,
the times she used heat
were wood in boxed glass.
Fly off.

Always there, in windscreen dark;
to see it, I peered, chin on steer;
excitement in the man as I iron
to clothe one day warm limb in
county coincidence at reception -
the woman's been where my shirts last hung,
carries, sorry, a mere swoop of a mouse.

by Ira Lightman


current release


Duetcetera



by Ira Lightman
UK


       Deutcetera is about voices taking each other for granted, saying “etc etc” and not listening, nevertheless turning out to duet. It contains double- and multi-columned poems, where each column can be read in its own right (or left), and also read across the columns. Most of the poems (and translations) were written separately from each other, but happen to fi t together. The poems play separately in diff erent rhythms and moods yet sound with and against each other. Ira is recording many of them as duet-videos for his YouTube channel.
       The themes of the collection range from celebration of marriage and fatherhood, to the contrasts in Protestant and Roman Catholic thinking. The book ends on an extended sequence written half in the voice of a six-year-old boy, and half as a set of statements about what’s infl uencing the language and ideas of the overall book.

“. . . both compelled eyes and ears (and mind) and sent me back to 70s’ Ashbery and even a dip into Beowulf (Howell Chickering’s) because of that uniform divide and bridge of a caesura—thanks, man.” —Fred D’Aguiar

“King of the Tyneside experimental language scene . . . a restless spirit, who likes to play with defi nitions of what writing and performance can be . . . we love people who like to experiment, and by extension then, we love Ira Lightman.” —Ian Mcmillan

Paperback: 84 pages
Publisher: Shearsman Books (26 Nov 2008)
Language: English
ISBN-10: 1848610114
ISBN-13: 978-1848610118
Product Dimensions: 22.9 x 15.2 x 0.5 cm


To obtain a copy of this release by Ira Lightman please use the following link:
www.amazon.com


TRYING TO IMAGINE BIRTH AND DEATH
by Don Schaeffer
Winniped Manitoba
Canada

If perception is a blank slate then it must have height and width. If it is solid, it must have depth. If it persists, then it must be extended in time. These appear to be basic principles of sensation. The blank space of perception must have extension. Height, width, depth and time are the extensive dimensions. These dimensions stretch the fabric of perception so that senses can work. Lack of consciousness may be partly describable as a lack of extension, a lack of sensory ... more on page 2








public art



Spennymoor Letters



by Ira Lightman




Gatesheads



by Ira Lightman












A double-column excerpt from Duetcetera

LOVE in a cold
climate o all
blue if a warm
January 5 next
morn as a dawn
icerink I walk
cool in a slow
measure I will
step as I know
symbols o love
take on a peak
passion I salt
SNAPPED a town
shut of a late
evening I find
best on a week
emptied o work
will to a calm
seizure o good
take be a film
Chaplin I know
copy as I film
century a warp
cuts on a weft.
The Cartier Street Review




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Meme Arte
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Sarah Cabrera
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Brenda Cook
Don Coorough
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Aleathia Drehmer
James H Duncan
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Tatjana Debeljacki
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Janice Dayton
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DubbleX
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Milton P. Ehrlich
AnnMarie Eldon
Dr. Kane X. Faucher
Adam Fieled
Emad Fouad
Tiziano Fratus
John C. Goodman
Joseph Goosey
Willow Gray
Will Hames
Nick Harris
Stu Hatton
Shell Heller
Kyle Hemmings
Charles Hice
Thomas Hubbard
Oritsegbemi Emmanuel Jakpa
Marco Kaufman
Penn Kemp
Ruth  Ellen Kocher
Engin Korkmaz
Dimitris P. Kraniotis
Yahia Lababidi
Chris Labrenz
Jackson Lassiter
Joy Leftow
Heller Levinson
Ira Lightman
Louis K. Lowy
Ross McCague
Stephen Murray
Ngoma
Carl Palmer
Helen Peterson
Kate Peterson 
Elaine Rosenberg Miller
Carolyn Srygley-Moore
Todd Moore
Steve Nash
Paul Niziol
Valery Oisteanu
Charles Potts
Nicoletta A. Poulakida
Casey Quinn
Barbara Reiher-Meyers
Randall Radic
Sadiq Rahman
Dibyajyoti Sarma
Don Schaeffer
Bobby Slais (R Jay)
Patricia Smith
Ruth Spalding
Edward Sobanski
Tanuj Solanki
Don Stabler
Ana Stjelja
Thiery Tillier
Paul A. Toth
C. Derick Varn
Rodrigo Verdugo
Teresa White
Sharon Boyle-Woods
Anne Harding Woodworth
John Yamrus
Changming Yuan